Performing as Louise in Molière's "The Imaginary Invalid", directed by Pamela Moller Kareman, Rita Morgenthau Theatre (NYC). Photo by Vibecked Photo.
Performing as Prince Pedro in "Much Ado About Nothing", directed by Xenia Danylyszyn with Arachne Theater, Summit Rock in Central Park. Photo by Sarah Jack Photography.
Performing as Kate Mundy in "Dancing at Lughnasa", directed by Miguel Bregante, Lenfest Center for the Arts (NYC). Photo by Carol Rosegg.
Performing as Adela in "The House of Bernarda Alba", directed by Alessia Falvo, The Tank (NYC). Photo by Sabira Mokhtar.
Performing as Isabella in "Gents Can't Measure" by Eloise Carter Walne & Helen Romeu Coombes, The Tank (NYC). Photo by Antonio de Santiago.
Performing as Kate Mundy in "Dancing at Lughnasa", directed by Miguel Bregante, Lenfest Center for the Arts (NYC). Photo by Carol Rosegg.
Performing as Prince Pedro in "Much Ado About Nothing", directed by Xenia Danylyszyn with Arachne Theater, Summit Rock in Central Park. Photo by Sarah Jack Photography.
Performing as Louise in Molière's "The Imaginary Invalid", directed by Pamela Moller Kareman, Rita Morgenthau Theatre (NYC). Photo by Vibecked Photo.
Performing as the Page in "Romeo & Juliet", English Theatre Madrid, 2016.
On set of "Heights" (2023), directed by Lucy Sarasin and Samantha Herrera. Photo by Sabira Mokhtar.
Performing as Adela in "The House of Bernarda Alba", directed by Alessia Falvo, The Tank (NYC). Photo by Sabira Mokhtar.
Performing as Kate Mundy in "Dancing at Lughnasa", directed by Miguel Bregante, Lenfest Center for the Arts (NYC). Photo by Carol Rosegg.
Premiere of "The Clown" by Stefan Diethelm at Lower East Side Festival for the Arts, May 2024.
Dancing in "Too Darn Hot" by Cole Porter, "Stoop Songs" directed by Ben Hartley, Rita Morgenthau Theatre (NYC). Photo by Matt Simpkins.
Performing puppetry at Kumwenya Eco School, in collaboration with Kelele Africa NGO, Uganda, 2018.
Performing "The Boy Next Door" in "Stoop Songs", directed by Ben Hartley, Rita Morgenthau Theatre (NYC). Photo by Matt Simpkins.